Archive for the 'screenings other than TLC' Category

From the archives – Sydney Moving Image Coalition screenings 2003-4

Screening #1 Lanfranchi’s, 18 Mar 2003

Screening #2 Lanfranchi’s May 2003

Screening #3 Lanfranchi’s Jul 2003, #4 Kudos Gallery, COFA late 2003 (page 1, page 2)

About Primary Sources and the 2004 screenings (page 1, page 2) – a manifesto!

Screening #5 Lanfranchi’s 3 Feb 2004 inc. Takehisa Kosugi’s A Film & Film #4. (Side 1, side 2 of A4, triple folded)

The screenings continued for some time. We’ll put up more archives soon. It’s important to point out that Tony Woods, Al Young, Dan Edwards and (Lanfranchi’s) Brendan were critical in establishing SMIC.

Malcolm Le Grice Screening in Sydney

Moving Image Art
by Malcolm Le Grice
at Performance Space, Carriageworks,
245 Wilson Street, Everleigh NSW 2015.
Friday 5th November
6 – 8pm

Malcolm Le Grice will introduce a program of films and video, from 1 to 16 mins in duration, made between 1966 and 2009. Malcolm Le Grice started as a painter but began to make film and computer works in the mid 1960’s. He was a founding member of the London Filmmakers Co-operative and has made works collaboratively with other artists and performers including Brian Eno.

Program to include:

Little Dog For Roger, Wharf, Horror Film 1 documentation, Berlin Horse (sound with Brian Eno), Again Finnegan, For the Benefit of Mr K, Unforgettable, Beware, Critical Moment, Threshold, Neither Here Nor There, After Monet, Digital Aberration.

On the following day, Saturday 6th November, an associated event, Expanded Architecture – International Architecture Film Night.

Conceptual Paradise: There Is a Place for Sophistication

conceptual NZ Film Archive
The fabulously energetic Mark Williams at the NZ Film Archive is poised to screen the documentary essay Conceptual Paradise: There Is a Place for Sophistication. Unfortunately this screening is in Wellington, NZ, not much good to us at present but maybe someone in the community will be spurred to show it! Hope so!

The film is directed by Stefan Römer traces out the debates that allowed the intellectual art movement of conceptual art to emerge in the 1960s, and which has subsequently led to the most relevant questions in contemporary art.
As Mark’s e-mail today said, it features some of the most interesting and dynamic artists and art theorists alive today, presenting a diversity of voices to show conceptual art as a socio-historical development of various movements; that it has no one valid definition. Yet there are several ideas that are framed throughout the documentary; the fiction and ideal of art as political engagement; the history of art as a history of struggles around strategies of representation, and, in making a film about conceptual art, the trope of reflexivity that produces a study on the documentary as a genre in itself.

Artists:
Vito Acconci, Art & Language (Michael Baldwin, Mel Ramsden), Michael Asher, John Baldessari, Robert Barry, Hartmut Bitomsky, Mel Bochner, Gregg Bordowitz, Klaus vom Bruch, Daniel Buren, Victor Burgin, Luis Camnitzer, Jan Dibbets, Mark Dion, Sam Durant, Valie EXPORT, Stano Filko, Andrea Fraser, Liam Gillick, Dan Graham, Renée Green, Shilpa Gupta, Hans Haacke, Július Koller, Joseph Kosuth, Sonia Khurana, David Lamelas, Sol LeWitt, Thomas Locher, Marcel Odenbach, Yoko Ono, John Miller, Adrian Piper, Yvonne Rainer, Allen Ruppersberg, Ed Ruscha, Martha Rosler, Allan Sekula, Peter Weibel, Lawrence Weiner, Stephen Willats, Heimo Zobernig

Curators/Theorists:
Alexander Alberro, Benjamin H.D. Buchloh, Sabeth Buchmann, Charles Harrison (Art & Language), Geeta Kapoor, Geert Lovink, Seth Siegelaub, Gregor Stemmrich.

Waiting To Turn Into Puzzles – film & music Wed 25 June 2008

An evening of music and film presented by Ensemble Offspring, Wed 25 June 2008 at the Chauvel, Paddington.

Waiting To Turn Into Puzzles is a new super 8 film work by Louise Curham featuring hand processed and hand-made film. Frames from the film have been scanned and printed, literally the ground for a new composition by Melbourne composer David Young for a performance by Sydney’s fabulous Ensemble Offspring.

‘WTTP is a cinematic experience with live music. Curham’s hand-processed, etched and looped super 8 films are simultaneously an intense visual experience and music notation for Ensemble Offspring. David Young ascribes a vocabulary of musical gestures to the textures, colours and shapes of the projections through a process of composition that explores the continuum between improvisation and notated music. David’s music has been likened to the ‘aural equivalent of seeing a world in a grain of sand’.

The evening commences with drinks in the Chauvel foyer with a screening of Bill Morrison’s ‘Light is Calling’ and is followed by more drinks in the Chauvel foyer.

7pm Wed 25 June
Chauvel Cinema, Paddington Town Hall, Cnr Oxford and Oatley Rd, Paddington
Tickets $35/20 bookingsl 1300 306 776 or www.mca-tix.com

8pm Thurs 26 June
Aphids Reel Music Festival
Australian Centre for the Moving Image, Fed Square, Melbourne
Tickets $20/15 bookings 03 8663 2583 or www.acmi.net.au

From this material, Louise scanned and printed frames of the film to create the ground for a score composed by Melbourne’s David Young. The work will be performed by Sydney’s Offspring Ensemble.