By 450pm today we had a rough sketch of the work running in the space. We relied heavily on the audio recordings of our conversations with Malcolm last year for this (audio file 2). Still lots to do – key is finding zoom lenses for the projectors. We also hope to try a lapel mic …
Category Archives: Malcolm Le Grice
Horror Film 1 – Re-enactment in Progress at CCAS, Canberra
Oliver Thomas practicing Horror Film 1 at CCAS Between 23-28 June, the Teaching and Learning Cinema (Louise Curham and Lucas Ihlein) is in residence at Canberra Contemporary Artspace. We’re continuing on with the research we began last year in the UK, towards a re-enactment of Malcolm Le Grice’s Horror Film 1 (1971). We’re not sure …
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After meeting Malcolm – top of mind
Notes in response to specific questions have been started by Lucas and we will continue them but it seems important to capture what’s stayed at the top of the mind after visiting Malcolm: – we covered a lot of ground! – Malcolm says that when he made these performance film works (eg Horror Film, Gross …
MLG Questions 01: Breath
When we started thinking about re-enacting Malcolm Le Grice’s Horror Film 1 a year ago, several questions popped up straight away. These were mainly technical issues about the source material for the three colour projections, and how the audio is produced while the piece is being performed. Some of these questions were answered by Malcolm …
What are we doing in England?
Here we are with Malcolm Le Grice in his studio in Devon. Louise Curham and I have come to Devon, complete with a big and patient entourage (our families!). We’re here to visit Malcolm and begin the process of working towards a re-enactment (or an intergenerational handover of sorts) of his Horror Film 1 from …
TLC Malcolm Le Grice Screening in Canberra
Malcolm Le Grice’s Horror Film
This week, in London, I met up with Malcolm Le Grice. Recently, we’ve been pondering how it might be to tackle the re-enactment, or recreation of his Horror Film, from 1971. The piece, for three 16mm projectors, involves a live performer, naked, with his back to the audience. He begins right up near the screen, …