By 450pm today we had a rough sketch of the work running in the space. We relied heavily on the audio recordings of our conversations with Malcolm last year for this (audio file 2). Still lots to do – key is finding zoom lenses for the projectors. We also hope to try a lapel mic …
Category Archives: expanded cinema
Hollow in the Paper
Teaching and Learning Cinema is contributing to this exhibition in Hobart. At the invitation of curator Bec Stevens, we’ve sent an installation based on our work with the project (Wo)man with Mirror (2009-) – our re-enactment of Guy Sherwin’s Man with Mirror (1976-). We’ve enjoyed our discussions with Bec, in the lead up to this …
Lucas Ihlein: Mediating Experience in Expanded Cinema Re-enactment
The following is a contribution to ISEA 2013 – presented as part of this panel session. The panel, organised by Brogan Bunt, was set up to address the broad notion of mediation – and to respond to his assertion that “artists themselves, in their practices, have begun to move fluidly between paradigms.” “How,” Brogan asks, …
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After meeting Malcolm – top of mind
Notes in response to specific questions have been started by Lucas and we will continue them but it seems important to capture what’s stayed at the top of the mind after visiting Malcolm: – we covered a lot of ground! – Malcolm says that when he made these performance film works (eg Horror Film, Gross …
MLG Questions 01: Breath
When we started thinking about re-enacting Malcolm Le Grice’s Horror Film 1 a year ago, several questions popped up straight away. These were mainly technical issues about the source material for the three colour projections, and how the audio is produced while the piece is being performed. Some of these questions were answered by Malcolm …
TLC Public Events, June 2013
Louise and Lucas are busy this month. Here’s what’s happening: Wednesday June 12, 4-5pm ISEA, New Law School Lecture Theatre 106, University of Sydney Lucas is presenting (via Skype from London), speaking briefly about our work re-enacting Expanded Cinema from the point of view of medium and materiality. You can read the abstracts and the …
What are we doing in England?
Here we are with Malcolm Le Grice in his studio in Devon. Louise Curham and I have come to Devon, complete with a big and patient entourage (our families!). We’re here to visit Malcolm and begin the process of working towards a re-enactment (or an intergenerational handover of sorts) of his Horror Film 1 from …
Artists’ Salon: Moving Image 1 at Critical Path, Sydney
Part of Critical Path’s Artists’ Salon series, Moving Image 1 looks at experiments with movement within interdisciplinary practice and is curated by Narelle Benjamin and Sue Healey. It will feature a discussion with and studio presentations of work by artists Sam James (From the Rainforest Mind to the Desert Mind) and Louise Curham and Lucas …
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From the archives – Sydney Moving Image Coalition screenings 2003-4
SMIC Primary Sources poster for 3 Feb 2004 screening, Lanfranchi’s, a photo by lcurham on Flickr. Screening #1 Lanfranchi’s, 18 Mar 2003 Screening #2 Lanfranchi’s May 2003 Screening #3 Lanfranchi’s Jul 2003, #4 Kudos Gallery, COFA late 2003 (page 1, page 2) About Primary Sources and the 2004 screenings (page 1, page 2) – a …
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TLC’s Anthony McCall project in Perform Repeat Record
A chapter I wrote about our 2007 re-enactment of Anthony McCall’s Long Film for Ambient Light has been included in the book Perform Repeat Record: Live Art in History, edited by Amelia Jones and Adrian Heathfield. You can check out the book here. Louise Curham and I were really pleased to be involved in this …
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