Louise Curham and Lucas Ihlein – Australia
Museums find it difficult to collect works of media and performance art, compared with traditional art objects like paintings, drawings, and sculpture. This makes sense. A media artwork might consist of a combination of software and hardware, as well as data-storage components (digital files, audio tapes, celluloid films, etc) all of which can be volatile …
Continue reading “Proposition for the museum acquisition of Horror Film 1”
Recently we had the pleasure to contribute to the DNA:AND exhibition at Velarde Gallery in England. The gallery has kindly sent a few photos for our records. Here is the media release about TLC’s work for the exhibition.
Raja and I (Louise) met back in 2021 when I chaired a panel he was in at iPRES. Our session was online and we had time to chat beforehand. I’d read up about his paper on DNA storage. I knew something about this because I saw a great presentation about it from former National Film …
Continue reading “What’s in the DNA capsule for ‘Horror Film 1’?”
As we finalise an article about the manual for Horror Film 1 and the potential to use DNA as a storage medium for the manual versions and additional components, we have gone looking for literature about manuals. I (Louise) have learnt that making procedures is called ‘procedural discourse’. David Farkas writes about this back in …
Louise and Lucas from TLC have been working towards various versions of a users manual for Horror Film 1 (1971). In this blog post, we’ll share a few versions of the manual, which are still at an early stage.
Dr Louise Curham from Curtin University’s iSchool starts a dialogue with audiovisual archivists of South East Asia about expanded cinema. Here’s the recording of this talk: And here’s what I say (not quite identical but pretty close) Hi everyone. Thanks very much for inviting me to be part of SEAPAVAA 2023. I want to …
Continue reading “Let’s talk about expanded cinema – Poster session SEAPAVAA 2023”
OK – this blog entry is dedicated to exploring the fleshy world of Malcolm Le Grice’s Horror Film 1. If we are to plunge further into the project of re-enacting this work (and it seems that we are!) then we need to have a think about some corporeal issues.
By 450pm today we had a rough sketch of the work running in the space. We relied heavily on the audio recordings of our conversations with Malcolm last year for this (audio file 2). Still lots to do – key is finding zoom lenses for the projectors. We also hope to try a lapel mic …
Oliver Thomas practicing Horror Film 1 at CCAS Between 23-28 June, the Teaching and Learning Cinema (Louise Curham and Lucas Ihlein) is in residence at Canberra Contemporary Artspace. We’re continuing on with the research we began last year in the UK, towards a re-enactment of Malcolm Le Grice’s Horror Film 1 (1971). We’re not sure …
Continue reading “Horror Film 1 – Re-enactment in Progress at CCAS, Canberra”
Notes in response to specific questions have been started by Lucas and we will continue them but it seems important to capture what’s stayed at the top of the mind after visiting Malcolm: – we covered a lot of ground! – Malcolm says that when he made these performance film works (eg Horror Film, Gross …
