As we finalise an article about the manual for Horror Film 1 and the potential to use DNA as a storage medium for the manual versions and additional components, we have gone looking for literature about manuals. I’ve learnt that making procedures is called ‘procedural discourse’. David Farkas writes about this back in 1999. It …
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Artists Film Workshop comes to Canberra’s Antics Hair Microcinema Friday 17 Feb 730pm
Join us for an evening of recent and brand new work by the Artists Film Workshop, all on 16mm. Lab members Sebastian Vaccaris and Paddy Hay have programmed a stellar line-up, it’s a first for Canberra to see works from AFW, Australia’s most prolific contemporary artist-run film lab. The line-up includes Anybody Coming to Dinner …
Antics Hair Microcinema
The old Antics Hair Salon in Canberra will come to life again in January and February 2023 as Canberra’s newest microcinema. What: film screening/film performance event Where: 8 Petrie Plaza, Civic, Canberra When: 8-930pm Sat 14 Jan Tickets: $10 donation Over the past couple of years a group of Canberra artists interested in projection, reflection …
Work starts on ‘using’ the (Wo)Man With Mirror user’s manual
Subtitle: Louise’s PhD uses (Wo)Man With Mirror as a case study for performance-dependent heritage and things that need passing on from person-to-person; why we involved an anthropologist; why this blog post is/is not a record. At the Urambi Village Community Centre, Saturday 19 March 2016. Left to right: Louise Curham (Teaching and Learning Cinema), Laura …
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Re-enact, repeat, reiterate, re-perform – a practitioner’s chat
Join us for an afternoon’s discussion about re-enactment and related practices at Westspace, Melbourne Saturday 9 July 2-4 pm If you make work or think about work that connects with re-enactment, repetition, reiteration and re-performance, or you’re just curious, please come along. Last November in Brisbane a group of artists, curators and academics spent an …
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Re-Enacting Expanded Cinema: Three Case Studies
In 2009, Lucas Ihlein and Louise Curham presented a paper at the Re-Live Media Art Histories conference in Melbourne. There seem to be some problems accessing the proceedings online, so we’re posting the paper here on our own website in the spirit of collegiality. It’s entitled Re-Enacting Expanded Cinema: Three Case Studies. Here’s the abstract: …
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